Skip to main content
Dublin Town Logo

NSOI: New Year’s Day Gala

Thu, 1 Jan 3:30 PM

About

National Symphony Orchestra Ireland Tom Fetherstonhaugh, conductor Ava Dodd, soprano Liz Nolan presenter, RTÉ lyric fm Johann Strauss II Overture to Die Fledermaus Johann Strauss II Czardas from Die Fledermaus Hellmesberger Jr. Kleiner Anzeiger Galopp Lehár Gold and Silver Waltz Lehár ‘Vilja-Lied’ (The Merry Widow) Johann Strauss II Wiener Blut (Vienna Blood) Korngold Straussiana Josef Strauss Music of the Spheres Johann Strauss II Tritsch-Tratsch-Polka…

National Symphony Orchestra Ireland
Tom Fetherstonhaugh, conductor
Ava Dodd, soprano
Liz Nolan presenter, RTÉ lyric fm

Johann Strauss II Overture to Die Fledermaus
Johann Strauss II Czardas from Die Fledermaus
Hellmesberger Jr. Kleiner Anzeiger Galopp
Lehár Gold and Silver Waltz
Lehár ‘Vilja-Lied’ (The Merry Widow)
Johann Strauss II Wiener Blut (Vienna Blood)
Korngold Straussiana
Josef Strauss Music of the Spheres
Johann Strauss II Tritsch-Tratsch-Polka
Heuberger ‘Im Chambre séparée’ (Der Opernball)
Johann Strauss II Thunder and Lightning Polka
Arditi Il bacio (The Kiss)
Johann Strauss II Emperor Waltz
Johann Strauss I Radetzky March

Ring out the old, ring in the new with all the Viennese glamour and gaiety of National Symphony Orchestra Ireland’s traditional New Year’s Day Gala with rising star conductor Tom Fetherstonhaugh and Classic FM Rising Star, soprano Ava Dodd. Revel in a sparkling collection of familiar favourites and welcome in 2026 in style.

Timeless lyrical jewels by the mighty Strauss dynasty include the champagne fizz of the Overture and ripe romance of the Czardas from Die Fledermaus, the fireworks-bright Thunder and Lightning Polka, the effervescent Tritsch-Tratsch-Polka, imperial pomp of the Emperor Waltz and martial splendour of the Radetzky March.

Lehár’s luxurious Gold and Silver Waltz and romantic ‘Vilja-Lied’ from The Merry Widow, and Korngold’s glittering Straussiana provide romance and rapture aplenty.

Vivacious rarities include the vocal version of the younger Johann Strauss’s Wiener Blut (Vienna Blood), as dreamily, deliriously romantic as the original, Joseph Hellmesberger’s Kleiner Anzeiger Galopp whipping breathlessly along, and Josef Arditi’s Il bacio – an irresistible invitation to ‘The Kiss’.

Presented by NCH
Supported by Travel Department