Sass Mouth Dames Film Club Series 8 at Brooks Hotel Cinema
Sit back, relax and revisit an era when Hollywood took women on the screen and in the audience seriously as Megan McGurk hosts a sterling collection of Pre-Code woman's pictures!
Every Thursday evening in January, Sass Mouth Dames Film Club Series 8 meets in the Brooks Hotel Cinema on Drury Street for a night of excellent cinema. The film club will be showcasing four more films during the first new month of 2019, and best of all it's only €10 per ticket!
Safe in Hell (1931), 10th January, 7pm
Next time you hear someone make a sarcastic comment about ‘Hollywood endings’, as a shortcut for saccharine fade outs, point them in the direction of Pre-Code Hollywood pictures like Safe in Hell. In one of the most notorious Pre-Codes, Dorothy Mackaill protects herself from a customer’s assault, and afterward, hides out in a Caribbean bolthole to avoid extradition. At first, she thinks boredom is her worst problem. When she accepts an invitation from the men who loiter in the hotel lounge, they compete for her as though she were a roast chicken at the end of forty day fast. William Wellman’s production reminds us that women are never safe when men are around–even in hell.
Vanity Street (1932), 17th January, 7pm
Helen Chandler, tired, hungry, and homeless, smashes a window so she can at least have three hots and a cot in prison. A police detective (Charles Bickford) takes pity on a woman down on her luck. He offers a meal and his sofa, and then gets her a job in a chorus line. The real star of this picture though is Mayo Methot, better known for being the third Mrs Bogart. Mayo Methot had a gift for playing characters who learn difficult truths about things like inconstant lovers and the fleeting nature of youth and fame. She lays bare the emotional contours of women who have been tossed aside. Not to be missed.
Ladies They Talk About (1933), 24th January, 7pm
During a bank heist, Barbara Stanwyck gets pinched. She doesn’t squeal on her boyfriend’s criminal rackets. She hopes to gain the influence of a popular radio preacher she grew up with, and have the sentence suspended. The plan doesn’t work, so she joins the women’s prison as a ‘new fish’. Stanwyck proves a quick study for how to manage a dame looking for a fight. The scenes behind the walls resemble a sorority house more than the hoosegow. Despite a carceral effect, women on the inside mitigate their grim plight with decorative touches applied to their uniforms and jail cells. You can’t keep a good dame down, even when she’s behind bars.
Heat Lightning (1934), 31st January, 7pm
Where do you go after you’ve had enough of men and life in a chorus line? If you’re Aline MacMahon, you get as far away as possible–the Mojave desert. She opens a filling station and café with her younger sister, played by Ann Dvorak. Wearing overalls, with her mermaid tresses tucked under a bandana, MacMahon limits her worries to heat, rattlesnakes, and keeping her sister out of trouble. Then one day an old flame (Preston Foster) shows up, on the run from the law. Suddenly the great big desert is too small. Cornered, with a siege mentality, a resourceful dame does what she must. To lighten the drama, Glenda Farrell and Ruth Donnelly trade barbs. Director Mervyn LeRoy doesn’t waste a moment in this 63-minute gem.